As with the previous year, all of the bands  that  make the cut for Nearfest   are excellent   musicians  and performers;  still, I personally  didn't  think  that the  2006 Nearfest lineup was  strong  enough  as America's  premiere  Prog festival.  though I do like Magents, I thought that Hawkwind  (don't get  me wrong- the band is quite  good),  wasn't headliner  material for a prog festival. And magma,  excellent band, but I saw them and enjoyed it.   Regardless the Nearfest 06'  show  was received well.
The  same folks  at Nearfest  put on the  third of their  Progressive legends Showcase,  with mixed results, but getting Allan holdsworth to perform was a stroke of genius.
2006  showcased  Tony LLevin and hatfield and the North,   and this  year  three fusion bands completed the show: One Shot,  Secret Oyster and Mr. Holdsworth.

Sadly  to  say,  the visuals  were  the same old  routine- but again, most fusion bands don't desire or need elaborate lighting effects.

  Most of these shots were scaled down to 25% their original size so detail may be lacking.


One Shot,- an off-shoot of the french progrockers Magma opened up the show.  Excellent musicians, they played a loose jazz fusion showcasing much of the magma influence (without the vocals of course).  A nice way of beginning.
Secret Oyster from Denmark,  was the most rockish of the three fusion acts that evening. Though I enjoyed their set,  I couldn't (and still can't) understand, how could a band that hasn't played in 30 years, and had  only practiced a few days be part of this festival when so many seasoned jazz groups  were not chosen. I'm either thinking monetary reasons or doing someone a nice favor.  Politics aside, the band performed  very  well for  a group who hasn't been together long.  The music wasn't demanding, especially the drumming, but it was enjpyable. Secret oyster dd have the most  lively  set.
Allan Holdsworth's performance seems a little  self-focused, but it was still amazing because of his  mastery of the guitar. Jimmy Jognson perked on bass and  Chad wackerman, though almost an over-calculating drummer performed with his usually panache.

it would have been neat to hear  Allan play a tune from  one or two of his side or prior involvements  (UK, Bruford),  but   his solo material held up quite well. Nice thing is I got to chat with him briefly and he autographed a sketch I did of him.  Thanks  Allan.  cheers.